What James Cameron Got Wrong

I had the pleasure of hearing D.A. Carson speak at my church in Dubai back in October.  In one of his illustrations he contrasts the sinking of the Titanic and the men onboard who sacrificially gave their lives for the women and children with the depiction that is portrayed in Hollywood version of the movie.  What he finds is a "damning indictment of the development of western culture, especially Anglo-Saxon culture in the last century."


A while back, I tried to find the story online to repost, but wasn't able to.  Thankfully, Carson now has a book which is, I believe, a collection of excerpts from his talks.  And, Kevin DeYoung has posted that exact anecdote on his blog:

Perhaps part of our slowness to come to grips with this truth lies in the way the notion of moral imperative has dissipated in much recent Western thought. Did you see the film Titanic that was screened about a dozen years ago? The great ship is full of the richest people in the world, and , according to the film, as the ship sinks, the rich men start to scramble for the few an inadequate lifeboats, shoving aside the women and children in their desperate desire to live. British sailors draw handguns and fire into the air, crying “Stand back! Stand back! Women and children first!” In reality, of course, nothing like that happened. The universal testimony of the witnesses who survived the disaster is that the men hung back and urged the women and children into the lifeboats. John Jacob Astor was there, at the time the richest man on earth, the Bill Gates of 1912. He dragged his wife to a boat, shoved her on, and stepped back. Someone urged him to get in, too. He refused: the boats are too few, and must be for the women and children first. He stepped back, and drowned. The philanthropist Benjamin Guggenheim was present. He was traveling with his mistress, but when he perceived that it was unlikely he would survive, he told one of his servants, “Tell my wife that Benjamin Guggenheim knows his duty” –and he hung back, and drowned. There is not a single report of some rich man displacing women and children in the mad rush for survival.

When the film was reviewed in the New York Times, the reviewer asked why the producer and director of the film had distorted history so flagrantly in this regard. The scene as they depicted it was implausible from the beginning. British sailors drawing handguns? Most British police officers do not carry handguns; British sailors certainly do not. So why this willful distortion of history? And then the reviewer answered his own question: if the producer and director had told the truth, he said, no one would have believed them.

I have seldom read a more damning indictment of the development of Western culture, especially Anglo-Saxon culture, in the last century. One hundred years ago, there remained in our culture enough residue of the Christian virtue of self-sacrifice for the sake of others, of the moral imperative that seeks the other’s good at personal expense, that Christians and non-Christians alike thought it noble, if unremarkable, to choose death for the sake of others. A mere century later, such a course is judged so unbelievable that the history has to be distorted (30-31).